William Shakespeare - The New Cambridge Shakespeare: The Two Gentlemen of Verona download TXT, DOC, FB2
9780521222228 0521222222 A new edition of Shakespeare?'s play in accordance with the work of the Shakespeare and Schools Project and the national curriculum., Lively, instructive access to Shakespeare's rich and complex works., Lively, instructive access to Shakespeare's rich and complex works. Prof. Schl8ter approaches this early comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story, which by their combination show high-flown human ideals as incompatible with each other, and with human nature. A thoroughly researched, illustrated stage history of The Two Gentlemen of Verona reveals changing conceptions of the play, which nevertheless often fail to come to terms with its subversive impetus. Since the first known production at David Garrick's Drury Lane Theatre, it has tempted major directors and actors, such as John Philip Kemble, William Charles Macready, Charles Kean and Samuel Phelps, who established a tradition of understanding which cast its shadow even on such modern productions as Denis Carey's famous staging for the Bristol Old Vic and Robin Phillips's for the Royal Shakespeare Company., New Shakespeare, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary., Prof. Schlüter approaches this early comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story, which by their combination show high-flown human ideals as incompatible with each other, and with human nature. A thoroughly researched, illustrated stage history of The Two Gentlemen of Verona reveals changing conceptions of the play, which nevertheless often fail to come to terms with its subversive impetus. Since the first known production at David Garrick's Drury Lane Theatre, it has tempted major directors and actors, such as John Philip Kemble, William Charles Macready, Charles Kean and Samuel Phelps, who established a tradition of understanding which cast its shadow even on such modern productions as Denis Carey's famous staging for the Bristol Old Vic and Robin Phillips's for the Royal Shakespeare Company., Professor Schlueter approaches this early Shakespearean comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story, which by their combination show the pitfalls of high-flown human ideals. A thoroughly researched, illustrated stage history reveals changing conceptions of the play, which has tempted many nineteenth- and twentieth-century directors and actors, who often fail, nevertheless, to come to terms with the plays subversive impetus., The editor approaches this early comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story, which by their combination show high-flown human ideals as incompatible with each other, and with human nature., Two Gentlemen of Verona is commonly agreed to be Shakespeare's first comedy, and probably his first play. A comedy built around the confusions of doubling, cross - dressing and identity, it is also a play about the ideal of male friendship and what happens to those friendships when men fall in love. William Carroll's engaging Introduction focuses on the traditions and sources that stand behind the play and explores Shakespeare's unique and bold treatment of them. Special attention is given to the strong female figure of Julia and the controversial final scene.
9780521222228 0521222222 A new edition of Shakespeare?'s play in accordance with the work of the Shakespeare and Schools Project and the national curriculum., Lively, instructive access to Shakespeare's rich and complex works., Lively, instructive access to Shakespeare's rich and complex works. Prof. Schl8ter approaches this early comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story, which by their combination show high-flown human ideals as incompatible with each other, and with human nature. A thoroughly researched, illustrated stage history of The Two Gentlemen of Verona reveals changing conceptions of the play, which nevertheless often fail to come to terms with its subversive impetus. Since the first known production at David Garrick's Drury Lane Theatre, it has tempted major directors and actors, such as John Philip Kemble, William Charles Macready, Charles Kean and Samuel Phelps, who established a tradition of understanding which cast its shadow even on such modern productions as Denis Carey's famous staging for the Bristol Old Vic and Robin Phillips's for the Royal Shakespeare Company., New Shakespeare, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary., Prof. Schlüter approaches this early comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story, which by their combination show high-flown human ideals as incompatible with each other, and with human nature. A thoroughly researched, illustrated stage history of The Two Gentlemen of Verona reveals changing conceptions of the play, which nevertheless often fail to come to terms with its subversive impetus. Since the first known production at David Garrick's Drury Lane Theatre, it has tempted major directors and actors, such as John Philip Kemble, William Charles Macready, Charles Kean and Samuel Phelps, who established a tradition of understanding which cast its shadow even on such modern productions as Denis Carey's famous staging for the Bristol Old Vic and Robin Phillips's for the Royal Shakespeare Company., Professor Schlueter approaches this early Shakespearean comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story, which by their combination show the pitfalls of high-flown human ideals. A thoroughly researched, illustrated stage history reveals changing conceptions of the play, which has tempted many nineteenth- and twentieth-century directors and actors, who often fail, nevertheless, to come to terms with the plays subversive impetus., The editor approaches this early comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story, which by their combination show high-flown human ideals as incompatible with each other, and with human nature., Two Gentlemen of Verona is commonly agreed to be Shakespeare's first comedy, and probably his first play. A comedy built around the confusions of doubling, cross - dressing and identity, it is also a play about the ideal of male friendship and what happens to those friendships when men fall in love. William Carroll's engaging Introduction focuses on the traditions and sources that stand behind the play and explores Shakespeare's unique and bold treatment of them. Special attention is given to the strong female figure of Julia and the controversial final scene.